The riverbank is a graveyard of broken boats. A
woman in a faded green coat steps over the
rusted hulls, her boots sinking into mud thick
with ash. The air smells of burnt wood and iron.
She stops at the edge of the old mill, where the
stone wall has crumbled into a jagged scar.
A child’s voice calls from the field. It’s the
same tone as the one that woke her every morning
in the camp. She turns, but no one is there. The
wind carries the scent of wet wool and something
sharper—burnt hair.
She finds the entrance beneath the mill. A metal
door, rusted shut, but the lock is new. She
pries it open with a shillelagh she took from
the pub. Inside, the air is cold, still. A
tunnel slopes downward, lit by flickering bulbs
strung along the walls.
At the end, a chamber. A table, a chair, a
single photograph on the wall. It shows a group
of men in military coats, standing beside a
church. The woman recognizes the face of the
priest who once blessed her mother’s grave.
A voice echoes from the dark. “You shouldn’t be
here.”
She turns. A man steps from the shadows. His
eyes are pale, his skin tight over bone. He
holds a lantern, its light casting long fingers
across the walls.
“You’re not from around here,” he says.
She doesn’t answer. She knows what he’s thinking.
The village was abandoned after the fire. No one
lived here after 1923.
He gestures to the photograph. “They didn’t burn
the church. They buried it. And everything
inside.”
She steps closer. The photo is dated 1916. The
men are wearing British uniforms. The church is
the same one she passed on the road, its spire
broken.
A rule bites: no one enters the underground
without permission. The man’s hand moves to his
belt. A knife glints.
She reaches into her coat. Pulls out a folded
paper. A map. It shows the route she took,
marked with symbols she learned in the camp. The
man stiffens.
“You’re one of them,” he says.
She doesn’t confirm. She steps back, toward the
exit. The tunnel narrows behind her.
The next day, the village wakes to a new smell—
burnt parchment. The church doors are open.
Inside, the altar is gone. The pews are empty. A
single note lies on the floor: We remember.
The woman is gone. But the villagers find a
locket hidden beneath the stones. Inside, a
portrait of a girl with red hair and a crooked
smile.
No one knows who she was. But the fire didn’t
kill the past. It just buried it.


